A few weeks ago I had an opportunity to work with a National Geographic Television crew.  They are doing a five-part special series about the Titanic.  The crew, based in London, flew in to document the new Titanic Museum Attraction and focus on the continuing fascination people have with the world’s most famous ocean liner.  One of the five one-hour specials will feature the museum.

Brendan Walker

Brendan Walker, who is hosting the documentary, was hilarious.  His background is in aeronautical engineering, but he has applied his vast knowledge to building roller coasters, thrill rides and creating amusements throughout the world — and hosting a variety of television shows in England (including many for the BBC).  He wears eyeglasses that belonged to his grandfather.

Unlike the news crews I usually work with, these guys came with a crew and a truckload of equipment (I wouldn’t have wanted to be responsible for their “additional luggage” fees at the airport).  Where news folks come in to get a story, shoot their video, do their interviews and hit the road, this was television — not news.  I think we shot every interview and every scene at least four times (most of them five or six times).  They had lighting guys, a sound man, a producer, an associate producer and two videographers.  I doubt they were familiar with the term “backpack journalist.”

Part of the National Geographic crew

The National Geographic Channel was launched in 1997 in the UK.  It started airing in the United States in 2001.  Today, the channel is available in over 143 countries, seen in more than 160 million homes and in broadcast in 25 languages.  Based in Washington, D.C., the National Geographic Society‘s historical mission is “to increase and diffuse geographic knowledge while promoting the conservation of the world’s cultural, historical, and natural resources.”

It was fun simply because it was so far removed from the television work I am usually involved with.  Beth Haynes of WBIR followed them around while they were shooting at the Titanic Museum Attraction and did a wonderful story for Live at Five at Four (you can watch Beth Hayne’s report by clicking the logo to the right).  I’m pretty sure Beth finished her story, went back to Knoxville, edited her piece and had it on the air before I finished shooting with the crew that day in Pigeon Forge.

The five-part special (each segment one hour long) is tentatively scheduled to air on the National Geographic Channel in the United States and UK this fall.  Once I know more details, I’ll pass them along.

LeBron James

For the record, I was born and raised in Akron, Ohio.  I love LeBron James.   I followed his high school career and was absolutely thrilled that he gave our hometown Cleveland Cavaliers seven great years (seven of their best years).  I completely understand the outrage people in Northeastern Ohio have over his departure.  But (and it’s a big but – not the kind Sir Mix-A-Lot sings about) I do not think he made a bad decision by “taking his talents to South Beach” as he announced he would do on Thursday evening.  I think he made the right decision for all of the right reasons.  It’s hard to say it’s “all about the money” when LeBron left more than $30 million on the table to go play in Miami — and don’t we all expect our greatest athletes to want to win championships?

Even after “The Fumble,” and “The Drive,” and – now – “The Decision,” burning players jerseys in the street is simply uncool.  Cleveland has had a tough go of it with professional sports, and frustration and let-down have always been part of being a Cleveland fan.  I know first-hand having grown up cheering desperately for the Browns (during the Brian Sipe and Bernie Kosar years) and the Cavs and the Indians.  Although I still root for Cleveland in pro sports, I have to admit that the Tennessee Volunteers, now my hometown team,  provide far less frustration and let-down in spite of their shortcomings (plus, Neyland Stadium is FAR warmer in October and November than Lakefront Stadium ever was in the 80s and early 90s).

If there was humor to be found in the fiasco surrounding LeBron’s departure, it was in Cleveland Cavalier’s owner Dan Gilbert’s open letter to the world on the Cav’s website posted the night of LeBron’s announcement.  As he belittled LeBron, called him names, and tried (unsuccessfully in my opinion) to reassure Cleveland fans that the Cavaliers are so much more than a single now-former superstar, he did so in a font that is typically associated with letters from grandma and 50-word book reports by third-graders that usually end with “I really, really, really, really, really, really, really, really, really, really, really liked this book.”

Here is a screen capture from Gilbert’s letter, written in a nice dusty-blue, Comic Sans font.  You decide if this screams, “I am mad as HELL and I am coming back to DESTROY all other teams in the NBA next year.”

It feels to me like it it could have used a little smiley face at the end … maybe one with its tongue sticking out.

Jul 082010

(Written a few years ago on July 8.)

My sister died on July 8 when I was a child.  She was two years younger than me and we spent every waking hour together.  Our family was our world.  My universe consisted of four people:  Mom, Dad, Becky Ann and myself.  I was young – four-years old at the time of her death – but old enough to know something significant had taken place in our family.

Becky Ann and me

I remember her.  I remember specific trivial events like listening to songs on our record player (“Yesterday” by the Beatles), playing in the upstairs attic (dusty, hot, wood smell, one small window and a closet), walking up the sidewalk with mom to the library (where they had a Reading Club and would cut out construction paper and put your name on the wall if you read enough books) and sitting on the couch together watching “The Monkey’s” on television (“Hey, hey we’re the Monkey’s, and people say we monkey around, but we’re too busy singin’ to put anybody down”).  I remember when she got sick, and how everyone prayed she would get better.

I remember the hospital corridor outside her room in Montreal, the smell of the hallway and the noises the metal heating radiator made when I smacked toys against it.  I remember my grandpa letting me blow out his cigarette lighter for my birthday while we were in the car making the long trip to see her in the hospital.  I remember my mom and dad being gone – and when they weren’t gone, they were sad.  I remember sitting under the dining room table at my grandma’s house in Ohio (while mom, dad and Becky Ann were in Canada) listening to my record player for what seemed like months but was really just weeks.

I remember distinctly the July day she died.  I remember a bunch of people I didn’t know coming to (my grandmother) Nan’s house.  I remember seeing all of my relatives crying and I remember not really knowing what was happening, but wanting to desperately.

Dad had a dream about her in heaven just after she died.  Someone, well-meaning I’m sure, told me God wanted her in heaven with him – and I didn’t like Him for taking her there for years, maybe until recently.  I asked myself what I was doing at the age of four that made God not want me there with him.  Whenever I loved someone, I immediately assumed they were going to die.  I was terrified that people – myself included – would disappear because I already knew it could happen.  I saw it happen.  It happens.

I’ve known people in my life who lost brothers or sisters at an early age.  I always look at them carefully.  Do they act like me?  Is their outlook dark like mine?  Do they hold on tightly and never take anything for granted?  Do they think everyone is going to die, right now?  For the most part, unfortunately, I think they do.

When you are in the market for a used car or a house, you look at all of the things it has been through.  Was it wrecked or did it survive a flood?  Was there a fire, an earthquake, did they have the oil changed regularly or did they regularly have it inspected and serviced?  All of these things – some of them mundane, some of them dramatic – shape what it is and what it will become.  Sometimes events ruin things and sometimes they make them better and stronger.  Sometimes it takes a long time to figure out which one it was.

Michael Jackson in "This Is It"

I love true artisans and craftsmen.  It doesn’t matter if it’s a guy who makes cabinets in Ohio’s Amish country, a little-known chef in New Orleans, or a woman who makes handmade jewelry in San Francisco.  I love watching someone who sees something in their mind and knows exactly how to bring it to existence.  The same applies to artists who know how to bring a photograph, a painting, a book, or a song to life.  Master craftsmen (and women) amaze me … and I never tire of watching them.

Over this long holiday weekend, I finally got to watch Michael Jackson’s “This Is It.” His music was certainly part of my youth, and although I didn’t listen to him as much as I got older, I always viewed him as one of music’s standouts.  I didn’t idolize him the way I do Sting, nor did I enjoy his music the way I enjoyed other bands and singers, but his songs would have certainly been featured prominently on the soundtrack of my life – and I never tired of watching the physical poetry that was Michael Jackson dancing.

Michael Jackson

“This Is It” showed me a side of Michael Jackson that I’m sorry I didn’t recognize sooner.  Although it was filmed just weeks before his death, it showed what an artist and craftsman he really was.  More than just his vocal abilities (still amazing) and one-of-a-kind dance moves (absolutely unbelievable for a 50-year old), the movie demonstrated that Michael Jackson controlled every aspect of his show – and his shows were nothing less than full-scale, bigger-than-life productions that would make any Disney or Broadway production manager jealous.

Jackson gave direction to the keyboard players, the lighting technicians, the other dancers, the producer, the cameramen, the musicians and the stage personnel.  Not a single aspect of the production was left without his hand-print – and his input always made the end result better. He was a genius.

Regardless of what you thought of Michael Jackson and his legal troubles, his financial troubles, his strange behavior, his ever-changing facial features, or even his music, the man was still a legend, and one of the most talented performers of my lifetime.  I always liked him, but “This Is It” gave me a new respect for him as an artist and master craftsman.  I only wish I knew these things before he died, because now I know how much I would have loved seeing him in concert … and I will never get that chance.

“This Is It” hurts to watch because we get a glimpse of just how much more Michael Jackson had in him.

Me (left) watching out the rear window of the refueling airplane.

I never served in the military.  I know plenty of people who have and still do.  A few years ago, I had an opportunity to see just a small part of what some of these brave men and women do when I got to fly on a refueling mission for a story I was writing.  Our mission was to fly from Knoxville to Memphis, turn south and follow the Mississippi River to New Orleans and the Gulf of Mexico and then turn back toward Knoxville over Alabama and Georgia.  Along the way, we would drop our massive KC-135 StratoTanker to within 13 feet of a B-52 Bomber (while flying at 30,000 feet and traveling roughly 400 mph) and refuel the B-52 in mid-air.  You can read the whole story here.

It was one of the most amazing and unforgettable things I have ever done.  On this Fourth of July, I will think of those men and women who do things like this every day to protect us and the freedom we enjoy every day.

The view from the back. (photo by Wes Hope.)

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